" A pamphlet you read and throw it away, A SONG THE STORE AND ALWAYS REMEMBER" (Ian Stuart Donaldson, singer and founder RAC Skrewdriver)
At all times both the power and the organizations that are considered alternative to it, have tried to expand your message by all means at their disposal.
These assumptions were not ignored by the National Socialist movement reborn (NS) when it began to rise from the ashes after the disaster that they marked the completion of the Second World War with the victory of his worst enemy (communism). Following this
Renaissance to the early 70's and especially after his big expansion from 1988, activists from different families Nazis (National Socialists, Nacionalrevolucionarios, ...) started to use different styles of the time (Punk, Heavy Metal, ...) to popularize their racist and xenophobic, especially between young people without much economic output and a rather dark future because of the economic crisis of the late 80's and early 90's.
As a first step of this movement which was born in the years to be known as RAC (Rock Against Comuninst - Rock Against Communism) or White Noise (White Noise).
Birth and development of RAC (rock anti-communist)
The truth is that you can not accurately determine the source of the RAC, as currently constituted, due to continuous musical developments that have existed.
mid 70's punk becomes commercial and born in England what would be known as "street punk." Garry Bushell, a famous music critic of the time would call this variant of punk, much more raw and real Oi! Musical movement of the working class to kids of the working class. We talked about bands like Sham69, Cockney Rejects, Cock Sparrer depoliticized bands ... but away from fascism, many employees may participate in anti-racist festival. "Skewdriver", banda punk and post-NS exponent of British youth, takes a radical turn in his lyrics and the break in the Oi!. RAC arises. Considered the most important band of all time RAC. The development of the RAC is linked to this group and the different ideological delusions was the Nazi movement internally in English.
"Skewdriver was born in 1978 in London, but soon moved to Manchester. At first his lyrics tried solely on the daily lives of young men and women workers in the Manchester area. However, con el tiempo 
llegaron a politizarse y ser el referente político del
fascismo británico de tal manera que su cantante y líder, Ian Stuart, llegó a ser un importante militante del National Front a partir de 1979.
A comienzos de los 80 y como segunda oleada del RAC consiguieron nacer nuevas bandas como Condemmed 84 ó Combat 84, yendo sus letras más allá en el apoyo al NS.
Las letras de “Skewdriver” comenzaron a ser claramente nazis (White Power) y a favor del sistema capitalista establecido (Smash the IRA, vistiendo camisetas unionistas en los conciertos). A partir de aquí se fundaron dos discográficas: una en Inglaterra (la White Noise Club) producing and distributing the material and one in Germany (Rock'o'Rama), being very important for European expansion of the RAC.
In 1987, the problems between the leadership of the Nazi party and the main groups RAC (Skewdriver "," Brutal Attact ", ...), when they feel cheated by the National Front, because of alleged censorship by the Party to the Nazi aesthetic was exhibited at the concerts. At the same time the problems started for the money that went into the coffers of the party as an organizer of the concerts and charged by members of the groups.
also internal tensions in the National Front, ending with the fracture in three different tendencies of the party, a right-wing anti-imperialist, a conservative and ultimately fascist organization Blood & Honour (B & H). This latest addition to organization became the label as well as youth organization. Blood & Honour
gave an international dimension to the initials RAC (to keep the main bands with that organization), founding sections across Europe (Sweden, Austria, ..) as well as in other continents (USA, Australia, ... .)
in 1992 and due to the great expansion of its promoters felt that the RAC had achieved is proposed holding macrociertos which together with the main bands NS. The first such concert ended with a very serious altercations between Nazis and anti-racism antifa and became known as the Battle of Waterloo. Following these incidents the RAC was again moved in the previous parameters of semi-underground bands with lyrics focusing more explicitly only to the militant fascist organizations. 
At that time, according to data from B & H, there were 10,000 in England alone militants have sections in addition to the lake from around the world, responsible for distributing the material and promotion of new bands. Also, the British National Party was supported by fascist B & H, began to get its first council in the municipal elections.
In 1993 "Skewdriver" recorded what would be his fifth and final album by the group, because their singer, Ian Stuart, was killed in a traffic accident on his way to the airport to go to a concert. With his death not only disappeared English RAC leader but eventually disappeared "Skewdriver" spearhead of B & H.
mid 90's, most of the NS bands had moved his official residence not the informal, from Europe to U.S. due to the permissiveness of the laws of this state with anything that smacks of racism and xenophobia.
From this year is when it starts to take a diversification of musical styles NS bands, continuing the classic RAC, but also appeared in Heavy Metal bands (all variants), Hatecore, Techno, country and even new songwriters.
Development in the English State.
NS Early music samples in the state dating from the early 80's, being both RAC bands as punk bands like V Column young 
Force ..
From here begin to appear bands who edit and organize concerts models, taking the first registration in the state Nazi concert held in Barcelona a late 80's. However, it still had not shown any band that led the movement in the English RAC.
is in the 90's when groups appear which will enhance the RAC in the State, these being "Imperial Lineage" and "Division 250" assisted in their expansion, the birth of the first label "national" (Rat Ta-Ta Productions). Most of these groups revolve around neo-Nazi organization Valencia Radical Action, an organization notorious for the racist Skinhead assassination of Guillem Agulló Valencia on 11 April 1993.
venues and concert organizers are often directly linked to fascist organizations (Revolutionary Youth, National Democracy, the phalanges, or neo-Nazi football hooligans ...), being the former lead singer of the current Division 250 National Secretary of the youths National Democracy, keeping extreme care in the call for fear of attacks by militant organizations and antirracitas antifa. Finally comment
most RAC bands who have or have had success in the state are (or have been) based in the Catalan (Torquemada 1488 of Vic, Valencia Klan, Nation of Barcelona, \u200b\u200b...) or Madrid (Imperial Lineage).
Hego In the field of Euskal Herria has not been able to ascertain the existence of such groups, which does not mean they do not exist. Conclusions
...
Today we can say that music is a musical style NS fully secured with a very faithful and getting the desired material without much trouble, thanks to the large number of distributors that exist in the Internet and can be accessed easily from the pages of the fascist organizations.
With regard to the alleged "repression" suffered these groups by the authorities in different European states, saying that there is, but if point (with respect to the volume of published material) and thousands of cases handled by the organizations themselves fascists (do not forget that members of These bands also tend to be activists of the extreme right organizations other "obligations"). However, it has been no evidence of repression because of the opinions expressed in the lyrics of the songs. It is also worth remembering that systematically support they are giving police the various European states in the presence of militant anti-fascists in the events and concert halls, protecting Nazis systematically, always ending with arrests among the ranks of leftist organizations, anarchists and / or autonomous.
is clear that from the early 90's, there was a diversification in musical styles, continuing with the RAC but encompassing other musical styles, which allowed them to collect rave reviews in circles and people who are in principle outside the National Socialism (although that may not know, as there is "covered").
Also, RAC music has served as a useful tool for expanding an important part of Nazi ideology (one that defends the organization Blood & Honour) to be an easy way to attract a young audience often mediated by non-ideological and propaganda campaigns discharged by the system.
There are also a number of bands (mainly U.S.) that are considered anti-communitas. However, music is no different from other aspects that characterize the extreme right (regardless of where it is) and that disunity and personal problems are the order of the day, leading to aggression among followers of bands Nazi rivals (B & H against Hammerskins).
must also be recognized that all groups are followed by Nazis, or at least like them need not share their ideology. The opposite occurs with other groups despite sharing the tenets Nazis, due to commercial pressures or for reasons of affection for the money, do not dare to give vent to their political beliefs.
Boltxe aldizkaritik aterata.
NAZI GROUP LIST OF RAC
MUSIKA http://es.msnusers.com/ANTIFAXISTASAREA/Documentos/LISTA%20GRUPOS% 20of% 20the% 20NAZIS% 20MUSIKA% 20R% 2EA% 2EC / R% 2EA% 2EC % 20% 20List% 2Etxt
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